Moderator

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First of all you need to make sure you get perfect sound during shooting. Everyone always says "I can fix it in post!" The truth is... you can't fix it in post. After that it's all about tiny, minute adjustments to EQ and levels. You need to really understand what each change will do. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
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| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
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Alumnus
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Learn about dynamics control. Learn compression and expansion ratios and thresholds that work well, using a hard limiter, and parametric EQ'ing voices so they're more understandable. I'm in a band, and before I was seriously into filmmaking I thought I wanted to be an acoustical engineer, so I learned everything I could about recording and digital audio. I thought I had wasted my time when I moved to filmmaking, but nearly everything I learned has come in handy when "sweetening" my movie's audio. I'm no expert, but maybe I'll write an article outlining the basics. Didn't Chris set up an article section of the site?
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| Posts: 1150 | Location: Marienbad | Registered: June 24, 2005 |    |
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