|
Go 
|
New 
|
Find 
|
Notify 
|
|
Reply 
|
|
Admin 
|
New PM! 
|
Moderator

 |
For walking on grass you can try getting the tape out of a few audio cassette tapes, and crunching it up, and then softly squishing it with something. I've never done that one, but it's what everyone always recommends. I have done a good deal of foley, and it's really fun. Basically, you need to think creatively. Rather than looking for the object you're doing the sound for, you need to look for something that will make the sound people WANT to hear. It's often a different kind of thing. For chains clanking, I ended up getting an absurdly heavy $40 chain, because the little ones sounded like ice, not metal. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
|
| |
| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
|
Moderator

 |
Yes, the ambience of the environment is hugely important. Try to find the quietist place you can to record your sounds. Beware of refrigerator hums, computers, air conditioners, passing traffic, distant lawn mowers, etc. Also, make sure the room doesn't have any echo or reverberation. The more padding (rugs, curtains, etc) the better. Some people record in a closet. The rule is, you can add reverb, but you can't take it away. I once foleyed a the sound of a metal gadget being washed and dropped in a sink in a real bathroom to get the echo, but in general, you don't want that. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
|
| |
| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
|
Alumnus
|
It should be noted that if you're interested in recording forest ambience in a natural setting, it's virtually impossible to avoid traffic sounds. Even if you hike thirty miles from the nearest road, there will probably be airplanes and helicopters flying overhead. We live in a sadly over-developed world for field recording  Technically your suggestion of recording in a highly isolated room and adding reverb later is fine, but I find that in real life the manipulation is never as realistic as simply finding an appropriate environment. If the character is walking on a hardwood floor in a house, record the footsteps in the same house. This is what Rodriguez did for El Mariachi and it seemed to work OK. I'm sure that a lot of the incidental sounds that could have been foleyed were replaced later, though - getting footsteps to match in a 15 second running shot is virtually impossible if you work with a single, separately-recorded audio track.
|
| |
| Posts: 1871 | Location: Gainesville, FL | Registered: April 05, 2004 |    |
|
 | Please Wait. Your request is being processed... |
© Studentfilms.com, Inc. 2008
|
|