I am currently working on a script where someone inside their apartment looks through a peephole into a corridor outside. I was wondering if this is classed as a change of location...and if so...how would I write this.
INT/EXT - APARTMENT, CORRIDOR.
I am just wondering because the corridor isn't really an EXT shot...as it is still inside. The shot following takes place in the corridor. So I am worried about following the INT/EXT - APARTMENT, CORRIDOR with INT. - CORRIDOR
I'm assuming you can't write...
INT/INT - APARTMENT, CORRIDOR.
It's just a general question...I don't think it will matter too much as I'm just writing for an assignment, but I might as well learn something while I'm at it. To be honest it's bugging me and I'm just procrastinating.
Thanks for your reply. Im sorry, I dont think I was very clear at all in asking my questions. The shot I am struggling to put down a location for is a POV shot with the character looking out into the corridor through a peep hole. So while the camera is inside the apartment, the shot is actually of the corridor outside.
The sequence is as follows:
1. Character inside apartment, walks to door.
2. POV shot looking through the peephole to the corridor outside.
Originally posted by laudy32: You would write them out separately and write each shot after the new location header. So it would be something like this:
INT. APARTMENT - DAY
Joe walks out the front door.
EXT. CORRIDOR - DAY
Joe steps into the corridor and is stopped by a man with a gun.
That is the correct format for that.
Actually, it would be:
INT. APARTMENT - DAY
Joe walks out the front door.
EXT. CORRIDOR - CONTINUOUS
Joe steps into the corridor and is stopped by a man with a gun.
I had this problem too. I ended up hunting down a screenplay of The Cable Guy.
Here is the example I followed. I'm not sure this is the 'correct' format but evidently it was good enough for a shooting script. The dialogue is obviously incorrect.
Example #1 ---------- INT. BATHROOM - MOMENTS LATER
Steven gets undressed. He turns on the shower, adjusts the heat, then gets in. He tries to lose his tension by letting the hot water engulf him. He takes some shampoo, and lathers up his hair.
THE DOORBELL RINGS
STEVEN (annoyed) Oh great.
THE DOORBELL RINGS SEVERAL TIMES
Steven jumps out of the shower, soaking wet, throws on a bathrobe and runs to the door.
STEVEN Don't leave! I'm here! I'm here!
12 INT. STEVEN'S LIVING ROOM - CONTINUOUS
Steven runs to the door.
CABLE GUY (OS) Hello! Cable Guy!
Steven reaches the door, and looks through the peep-hole.
P.O.V. THROUGH THE PEEPHOLE
The CABLE GUY is walking away.
INT. STEVEN'S LIVING ROOM/HALLWAY - DAY
Steven opens the door and yells to the Cable Guy.
STEVEN Hey, wait!
The Cable Guy turns back. -----------
So you'll use the P.O.V. camera direction and combine the hallway/apartment scene headings once he opens the door, I guess.
This message has been edited. Last edited by: tswells,
Posts: 7 | Location: Columbia, MO | Registered: November 12, 2007
Thanks for that. Great idea looking up a script with the specific shot type in it :-) Cool. I'll go with this format...if its good enough for the Cable Guy its good enough for me.