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Alumnus
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You've got to give someone for the audience to relate to. They can't relate to the boyfriend because he's deranged enough to want to hire a hitman to kill his girlfriend. They can't relate to the hitman because he has no morals. Worse, he seems to be spending all this money on "stupid stuff..." appears he's an idiot too. And of course you can't relate to the ex because she dies. If you want this to be a comedy, you have to have someone the audience can lock onto and react with. Someone that recognizes the absurdity of the situation. Otherwise it'll just put people off.
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| Posts: 1150 | Location: Marienbad | Registered: June 24, 2005 |    |
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Alumnus
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quote: Originally posted by Poplar Park Films: Yeah, how can I do that.. The hitman is supposed to be like the main funny thing in the story. And he **** he buys is supposed to be funny. How can I make the audience relate to sometihn in this story. I was originally thinking that the boyfiend was so mad at the girlfriend because she cheated on him or sometihng like that like just totally was a big ***** but im not sure if that would work? maybe introduce a new character or perhaps, not have the girl die in the end? this would be appreaciated
Well while I'm not a fan of the story at all, the way I'd do it is have the boyfriend, in a drunken stupor and bout of sudden depression like somebody mentioned, mention to "the dumb friend" that he wished she were dead. Dumb friend takes it literally, knows a guy who knows a guy, and sets the gears in motion. Boyfriend wakes from drunken stupor, realizes horror of situation, and tries to stop it, hilarity? ensues. It's been done before in some flavor or another, but that's becaues the formula works [the best way a story like this can work]. The boyfriend is the victim of the situation and is morally sound, and is thus the main character people can appreciate and follow.
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| Posts: 1150 | Location: Marienbad | Registered: June 24, 2005 |    |
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Moderator

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Meh. I can see how it could become a comedy, similar to the way Lock, Stock, and Two Smoking Barrels could be classified as a comedy. But unless you are extremely confident in your dialogue writing and have a clear stylistic vision, it would be very, very difficult to pull something like that off. This probably wouldnt be a good choice for your 1st or 2nd film. But then again, if this story is very important to you, I don' want to discourage you. By all means go ahead and make it and if you have any more questions in the process, we are all crouching by our computers waiting for someone to post a new thread. 
"Important dialog is only in Hollywood films" - Kyle Phillip Johnson
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| Posts: 1272 | Location: Indiana | Registered: May 23, 2004 |    |
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