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You can get a bluish tint by white balancing your camera to something yellow or orange, or by using color correction filters during editing. These methods are often easier than putting blue gels over your lights. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
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| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
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Owner and Founder of Studentfilms.com

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Yeah - but I think production effects always look better than post effects if done right. If you can do it in camera - do it. It usually always looks better. -Chris Studentfilms.com
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| Posts: 2306 | Location: Los Angeles, CA U.S.A | Registered: October 30, 2002 |    |
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Alumnus

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Can you post a screen grab of the scene you're trying to recreate? I agree with Chris that is is generally better to do it with lighting. Even when there's a strong blueish ting, there's generally something in the frame that's warm to show just how blue the room really is. Joren www.jorenclark.com"In the beginner's mind there are many possibilities, but in the expert's mind there are few. " ~Shunryu Suzuki
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| Posts: 1742 | Location: HELL-A | Registered: March 05, 2003 |    |
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quote: If you can do it in camera - do it. It usually always looks better.
I totally agree  I'm really rather fond of the white balance trick, which is sort of a compromise between lighting and effects, but yes, if you CAN light it blue, do it! | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
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| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
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