|
Go 
|
New 
|
Find 
|
Notify 
|
|
Reply 
|
|
Admin 
|
New PM! 
|
Freshman
|
|
| |
| Posts: 86 | Location: Purdue | Registered: March 16, 2006 |    |
|
Moderator

 |
Wikipedia explains it better than I can, but it cuts down on reflected light rays entering the camera lens. In some cases it can kill a reflection in windows or mirrors. The only 100% guaranteed method would be to move the camera until you no longer see anything in the reflection. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
|
| |
| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
|
Alumnus

|
It's not so much avoiding the windows, but designing camera angles, lighting, and production design that will allow you to not see the equipment. It's the same as when shooting around mirrors. So, here's some general thoughts on windows and reflections: -polarizer (aside from loosing f-stops, it can't hurt) -don't shoot the window on the tangential axis (head on). -keep lights out of frame in the reflection OR hide it with set dressing. -the more light you can throw on the area outside of the window (i.e. the backyard), the less the reflection you'll get. -Black doesn't reflect. Black out unwanted reflections be using duvateen or a low budget equivalent. This could mean making a black curtain with a tiny hole in it for the camera lens. -production design is your friend. Maybe you want to put a practical lamp in the reflection to conceal the camera and tripod. Or have furniture that equipment can hide behind in the reflection. Treat the reflection just like another area on screen. Joren www.jorenclark.com"In the beginner's mind there are many possibilities, but in the expert's mind there are few. " ~Shunryu Suzuki
|
| |
| Posts: 1742 | Location: HELL-A | Registered: March 05, 2003 |    |
|
 | Please Wait. Your request is being processed... |
© Studentfilms.com, Inc. 2008
|
|