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Freshman

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I think improvisation is a big part of directing. Things almost never go 100% right when you're shooting a film, so in most cases you have to make the most with what you have. That being said, it's just about impossible to "Plan Plan Plan!" for everything. If you're shooting outside and it rains, and you only have that location for a day, you either fit the rain into the script, or fit another location into the script. This isn't true for all big studio produtions, but it has been with my short student films. Of course, the more money you have, the less you'll have to plan ahead for
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| Posts: 53 | Location: Rancho Cordova, CA | Registered: April 25, 2006 |    |
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Sophomore
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Interesting that this has been brought up because the project I am currently finishing up is based almost completely on improv My task was basically to write a 1-2 page script looslely dealing with a secret or a lie so I came up with something based on the game telephone in which a rumor is spread about how a kid gets a black eye. During my pitch session the idea to leave the varying rumors up to improv was voiced so I decided to give it a try. I wrote the beggining and the end and left the entire middle up to chance. Looking back it seems like a ridiculous risk i decided to take, yet fortunately it worked out very well. I am a terrible writer so i thought anything someone could come up with on the spot was better than I could write. Luckily I was right and got some really great stuff. I'm not sure if I would leave so much of my plot up to chance again, but I think it depends on how well you know your actors and how much confidence you have in them. Generally I like to have my actors do a few takes with my scripted lines and then let them have fun with it if they think they can change it for the better.
jessica
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| Posts: 211 | Location: connecticut | Registered: March 29, 2006 |    |
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Freshman
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I think both planning and improv are a huge part of being able to direct. The way i do it though, is taking tons of notes about characters, themes, and symbols, so I know what can be cut around and what can't. Example: If the angle of a shot is important and I can't get it, I need to be able to know why it's important and what needs to change so that it'll still work. This needs to be done quickly, so taking an hour break to read the script over and over isn't an option in most cases. Also, I think it was robert rodriguez's opinion that storyboards are helpful for planning, but are only used when improv fails. Come up with a better idea on the set about a shot you want? Great! If you don't? Better have something to fall back on.
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| Posts: 86 | Location: Purdue | Registered: March 16, 2006 |    |
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