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white balance to a slightly bluish white to get the orange color. use soft diffused lights, bounced off of boards or the ceiling or anything outside of the shot. i'm not an expert in lighting, so i'll let someone else take it from here. | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
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| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
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Thanks for the replies!... I am using Adobe Premiere/After Effects The tricky thing about this scene is that it starts out with the light, happy glow and then a character turns the lights off in the room and the lighting now has to be suitable for making it look both nighttime and evenly lit.
"Important dialog is only in Hollywood films" - Kyle Phillip Johnson
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| Posts: 1277 | Location: Indiana | Registered: May 23, 2004 |    |
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Generaly to achieve mood in cinematography you need to look a number of different things, both on camera, and with lights. LIGHTING both the temperature of the lights and the quality of light produced can achieve different moods: -ORANGE HARD LIGHT-Hot Mood -BLUE HARD LIGHT- Cold Mood -BLUE SOFT LIGTH- Peaceful I would use a soft orange light. to achieve this i would use orange gels over your lights and then either 'punch' the light into a poly(white bounce board) or use a diffusion scrim or screen. CAMERA If you have the ability, crank up your shutter speed on your camera so the apeture is fully open, but gain has not started. This will shorted you depth of focus and also add a bit of warmth. i would keep the white balance on your camera stationary. so set it to a preset, or the 'hold' function so it doesnt change during the scene. As for the switch changing. just run two lighting setups and switch between them. and make sure your camera's white balance is still on hold. i dissagree with mark, as a purist on the cinematography side i believe that an effect or mood needs to be created on set, and then touched up and if need be enhanced in post. i dont know how the hell you would effectively soften a light source in post, once the image has been filmed.
Matthew Parnell Electric
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| Posts: 462 | Location: Brisbane, Queensland, Australia | Registered: April 26, 2003 |    |
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Thanks a lot parnell... very helpful. I think I found a bedroom to shoot this scene in now. Its pretty much empty, so I will have to decorate it all so the color scheme, ambience, etc. creates a happy, content feeling. This is a pretty complex scene... it comprises of a single 1 and half minute long very complicated shot. Oh well... it should look very awesome... Thanks again for all the advice.
"Important dialog is only in Hollywood films" - Kyle Phillip Johnson
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| Posts: 1277 | Location: Indiana | Registered: May 23, 2004 |    |
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