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Freshman

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Well, you'll need a lot of expensive equipment. To edit, at the minimum, you'll need a guillotine splicer. Pros use a flatbed editor that is very expensive. The best option is to take your footage to a lab, have them do a telecine transfer, and view, edit, and add sound on final cut or whatever program you have. Then you just take the digital cut back to the lab and they transfer it to stock. I would suggest this if your project is longer than 30 min. Or you can cut your film in a splicer (non-sync audio too if you have a magnetic reader) and take both stocks to the lab and they can combine them for exhibition.
Good Luck, Eric
Good luck
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| Posts: 7 | Location: Berkeley, CA | Registered: October 18, 2007 |    |
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Moderator

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I would most definitely use digital until you feel confident in your lighting and shot composition...if you use film (even if you have a lot of experience) there is still a huge a risk that you will spend a lot of dollars on something mediocre or that doesn't turn out as planned. Digital is cheap and convenient and can be very beautiful...take advantage of it.
"Important dialog is only in Hollywood films" - Kyle Phillip Johnson
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| Posts: 1278 | Location: Indiana | Registered: May 23, 2004 |    |
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Sophomore
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okay....first of all don't be afraid of 16mm. second, pros do not use flatbed editors....i have used one and it is the biggest pain in the ass of all time. Editing is all done on computers. Third, yes 16mm is for sure more complicated compared to video, however, i would argue that it is easier to get nice looking images with minimal effort using film, save for colour correction. forth, a 20 minute film on 16mm will cost you a lot of money. Finally, if sound is important, it is going to be very hard to use 16mm in a cost effective way.
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| Posts: 230 | Location: Edmonton, Canada | Registered: November 10, 2006 |    |
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