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Hey, just some advice before you dive in  Read at least a tiny bit about framing and camera angles, its weird, but some of the stuff is NOT intuitive until you read it, even though its really simple. Use a tripod, and get some bright lights (home depot 500 watt worklights are good, and can be found in many homes). Good luck! | PerryKroll.com | TRC | "If not actually disgruntled, he was far from being gruntled." Wodehouse
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| Posts: 5197 | Location: Tisch at New York University | Registered: June 03, 2003 |    |
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Freshman

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Budget doesnt always mean anything. I have spent $3000 on a film that never even got made. I spent $300 on a film that became a huge hit. What matters is how you approach your project, and what you and your cast/crew are willing to put into it. On my latest film, my cast is working for screen credit and because they believe in the film. They like the potential of it. I am providing them food and covering their transportation costs. The only things you have to face when working with non-payed actors, is getting them to be strict to sticking to the schedule. They are going to want to do it when it is conveneint for THEM, not YOU. Scheduling can be hard, but dont get discouraged. Just be prepared to shoot across diferent days. As far as your camera situation, yes, borrowing a friends cam and tripod is a good start. Though the quality of their cam is out of your control. If they only have a canon-zr20, it is better than nothing, but dont expect the world. If you could find someone who has a GL1 or 2 or even a panasonic dvx1000, you would be all set. I say you would be all set, because the Gl series has excellent audio mechanisms. The audio on a zr-series camera (or similar), wont be the best. Those types of cams will pick up interference from flourescent lights and air vents. For recording audio seperately, a mini-disc recorder would be great, but if you record sound seperately, you will need a slate. You can get those for $20 at studiodepot.com , or you could just make one. Another thing you can try, is checking with your schools audio/visual department. They may have a camera that you may be able to put a deposit down on and sign out. If you are looking to make this film have the same quality of excellence as your story, a way to get it done, could also be to give a more experienced filmmaker the rights to use your story, and turn it into a film. You can tell them what you want, and what your visions are. Many filmmakers who excell at filmmaking, but have a hard time writing their own material, are always looking for a good script. A place to get some ideas on that, might be craigslist.org
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| Posts: 32 | Location: NY | Registered: December 04, 2004 |    |
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